If you choose to use this system you really want to have a vast bankroll and awesome discipline to step away when you generate a small success. For the purposes of this story, a figurative buy in of two thousand dollars is used.
The Horn Bet numbers are not always considered the "winning way to compete" and the horn bet itself has a casino advantage of over twelve percent.
All you are gambling is $5 on the pass line and ONE number from the horn. It doesn’t matter if it is a "craps" or "yo" as long as you bet it at all times. The Yo is more established with gamblers using this system for obvious reasons.
Buy in for $2,000 when you sit down at the table but put only $5.00 on the passline and one dollar on one of the two, three, 11, or 12. If it wins, fantastic, if it does not win press to $2. If it does not win again, press to four dollars and continue on to eight dollars, then to sixteen dollars and following that add a $1.00 every subsequent bet. Each time you do not win, bet the last value plus an additional dollar.
Employing this approach, if for instance after 15 tosses, the number you selected (11) has not been thrown, you probably should go away. However, this is what could happen.
On the tenth toss, you have a sum of one hundred and twenty six dollars on the table and the YO finally hits, you come away with $315 with a gain of $189. Now is a great time to go away as it is more than what you joined the table with.
If the YO does not hit until the twentieth toss, you will have a complete investment of $391 and because your current bet is at $31, you gain $465 with your gain of $74.
As you can see, adopting this system with only a $1.00 "press," your gain becomes smaller the more you gamble on without hitting. That is why you must leave away once you have won or you must bet a "full press" once again and then advance on with the $1.00 increase with each roll.
Carefully go over the numbers before you try this so you are very accomplished at when this approach becomes a losing proposition rather than a profitable one.
